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Master The Fretboard
Section 1: Note-Finding & The CAGED System
Course Introduction (2:06)
Lesson 1: Course Overview (3:38)
Lesson 2: Locating The Notes On The Neck (part 1) (10:00)
Lesson 3: Locating The Notes On The Neck (part 2) (6:26)
Lesson 4: Locating The Notes On The Neck (part 3) (11:36)
Lesson 5: Introducing The CAGED System: CAGED Major Chord Shapes (13:39)
Lesson 6: CAGED Major Chord Shapes In Other Keys (5:01)
Lesson 7: CAGED Major Triad Arpeggios (part 1) (8:10)
Lesson 8: CAGED Major Triad Arpeggios (part 2) (6:23)
Lesson 9: CAGED Major Triad Arpeggios (part 3) (5:52)
Lesson 10: CAGED Major Pentatonic Scale Shapes (10:53)
Lesson 11: CAGED Seven Note Major Scale Shapes (part 1) (5:39)
Lesson 12: CAGED Seven Note Major Scale Shapes (part 2) (5:58)
Lesson 13: CAGED Seven Note Major Scale Shapes (part 3) (6:28)
Lesson 14: CAGED Minor Chord Shapes (6:43)
Lesson 15: CAGED Minor Triad Arpeggios (7:18)
Lesson 16: CAGED Minor Pentatonic Scale Shapes (4:06)
Lesson 17: CAGED Seven Note Minor Scale Shapes (6:53)
Lesson 18: Different Ways To Practice The CAGED System (10:52)
Lesson 19: Major 7th Chords And Arpeggios Using The CAGED System (11:16)
Lesson 20: Dominant 7th Chords And Arpeggios Using The CAGED System (10:36)
Lesson 21: Minor 7th Chords And Arpeggios Using The CAGED System (8:52)
Section 2: The Three-Note-Per-String System (3NPS)
Lesson 22: Introducing The Three-Note-Per-String System (2:26)
Lesson 23: Learning The Three-Note-Per-String System (part 1) (6:08)
Lesson 24: Learning The Three-Note-Per-String System (part 2) (8:00)
Lesson 25: Converting CAGED Scale Shapes To Three-Notes-Per-String (5:59)
Section 3: The Modal System
Lesson 26: Introducing The Modal System (4:07)
Lesson 27: The Parent Scale (10:57)
Lesson 28: Harmonising The Major Scale Using Chords (part 1) (5:53)
Lesson 29: Harmonising The Major Scale Using Chords (part 2) (6:18)
Lesson 30: Modal Accompaniment (4:15)
Lesson 31: The Modes In Essence (4:16)
Lesson 32: The Ionian Mode In Isolation (7:06)
Lesson 33: The Dorian Mode In Isolation (3:42)
Lesson 34: The Phrygian Mode In Isolation (3:37)
Lesson 35: The Lydian Mode In Isolation (3:36)
Lesson 36: The Mixolydian Mode In Isolation (4:29)
Lesson 37: The Aeolian Mode In Isolation (3:44)
Lesson 38: The Locrian Mode In Isolation (5:00)
Lesson 39: Applying The Modes To Real-World Musical Situations (4:39)
Lesson 40: Practical Soloing - The Ionian Mode (4:10)
Lesson 41: Practical Soloing - The Dorian Mode (8:08)
Lesson 42: Practical Soloing - The Phrygian Mode (5:18)
Lesson 43: Practical Soloing - The Lydian Mode (6:49)
Lesson 44: Practical Soloing - The Mixolydian Mode (7:07)
Lesson 45: Practical Soloing - The Aeolian Mode (5:08)
Lesson 46: Practical Soloing - The Locrian Mode (6:18)
Lesson 47: Using The CAGED System To Visualise Modes (6:29)
Section 4: The Pentatonic Framework; Intervallic, Formula-Based Approach & The 6-Position System
Lesson 48: The ‘Pentatonic Framework’ Approach To Learning The Neck (6:55)
Lesson 49: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 1) (3:37)
Lesson 50: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 2) (8:13)
Lesson 51: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 3) (8:46)
Lesson 52: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 4) (7:00)
Lesson 53: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 5) (11:31)
Lesson 54: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 6) (11:35)
Lesson 55: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 7) (9:39)
Lesson 56: The 6 Position System For Learning Scales And Arpeggios (10:07)
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Lesson 12: CAGED Seven Note Major Scale Shapes (part 2)
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